saturday night in margate

I’ve not done as much nighttime shooting this past winter, I’m not really sure why. Perhaps a combination of workload and personal stuff has meant I’ve not really been feeling it in the evenings quite so much. In past years, I would go out a couple of times a week in the evenings. This year, judging by my Lightroom catalogue, it seems it’s been more like a few times a month. With late spring and summer rapidly approaching, night-time shoots are going to be a rare thing, so I probably don’t have much time left to get some night shots before it’s just daytime walkabouts in the sun (wishful thinking that we’ll get much sun I guess).

Anyway, Saturday just gone the opportunity came along to head to Margate late afternoon into the evening with Stewart McKeown and Aga McPherson. Sadly, golden hour wasn’t so much golden as…well…very grey. Nonetheless, you make do with what you have to work with, and so we set about trying to make the best of it. I found it a bit of a struggle to be honest. I don’t mind overcast days, but overcast as the light is fading can be quite tricky. Particularly on the beach. A few shots presented themselves, but not the kind of shots I usual go for in truth.

The evening was a little more promising. Although the temperature wasn’t low enough for the classic condensation shots that Margate often as to offer, there were still some possibilities. One place I spent a lot of time at was the Follow the Swirl Ice Cream Shop, which has a striking neon sign in the window. I’ve spotted it before, but struggled to find ways to make use of it in a composition. So I hung around, looking for potential, until I noticed a shop down the road was casting a light and creating silhouettes with passers-by. So I decided to try and use that as a way of making a shot work. Of course, as is always the way, people either passed in groups, or passed the shop in a way that wasn’t interesting (eg their legs weren’t far enough apart as they walked past the window), or just no-one walked past at all for a long time. I was on the verge of giving up and figuring I’ll try again another time, when a couple of passers-by gave me an option that might just work. It wasn’t perfect, but at least it’s a composition to explore further in the future.

There was also The Centre, which I hadn’t really explored before (certainly not at night) and hadn’t recognised as having potential (despite vaguely knowing the area from my time working at Boots in Cliftonville). There were definitely some good options there and I will definitely look to explore it more in future, both in the day and the evening. Even if I didn’t come away with many “bangers”, I at least discovered some new areas to explore on future visits.

At this point we just so happened to randomly bump into Peter Sladen, out celebrating his birthday. We had a good chat and talked a little about where we were on our photography journey…it was Peter that inspired me to visit some parts of the county I’d never visited before when I was shooting landscape scenes, and will always be grateful for that. I do miss getting out and shooting landscapes, particularly woodland scenes, but I really am enjoying street a lot at the moment. Largely because, as I often say to people, you know when you capture a street shot, no-one will capture the same shot. You may get similar types of composition, but a scene will be a scene for an instant and then gone forever. Landscapes you may get different colours in your sunrise/sunset, but it’s difficult to get a composition that no-one else will ever be able to replicate. But then, street has its drawbacks in terms of cliches…but anyway, that’s a big discussion for another blog post one day, perhaps.

Anyway, a few drinks, a disappointing pizza experience later and then we were off home. If you want to really get a feel for the day, do check out Aga’s Reel on Instagram. It really is phenomenal work, even if some of the models don’t quite cut the mustard…

Beyond the Familiar: Discovering New Compositions in Margate & Cliftonville

This last weekend was one of those classic ones where you hope for fog, head out to a location you had in mind for some foggy shots, only to find that you arrive and the fog actually ended up further west along the north Kent coast. Ah well. Once you’ve arrived, you might as well make the most of it. No point burning petrol for nothing.

So, Margate it was. I don’t tend to head here very often during the winter months, it’s more of a summer shooting destination for me during the day (I do like it in the evenings, but quite often I’m too tired for the hour plus round trip in the evening). As it turned out, whilst there was no fog, there were some pretty good conditions, with some nice light to work with. Of course it was cold, but my investment in fingerless gloves has really paid off, so no problem on that front.

This time I decided to talk a decent walk through to Cliftonville (I used to work there back in 2001-2) and whilst it has undoubtedly become somewhat more gentrified than when I worked there, there remains the old Cliftonville (it was one of the poorest parts of not just Kent, but the UK when I worked there). I did get into one dicey situation where someone somewhat aggressively shouted at me for taking photos (“you can’t take photos along this road before midday!!!”), but I just responded with an “oh, alright” and carried on. I don’t tend to get too many problems when I’m out taking photos, not in this country at least (I have had issues in Spain a couple of times). Generally I’ve found not being confrontational does the trick, and largely people leave me alone. Although, I should add the caveat that I’m a 6’2” man, so that probably gives me some licence to go about things without any trouble.

I tried to get some different compositions to the usual ones I get in Margate (it’s very easy to fallback on the old reliables), and found a couple of shots that were different to what I’d taken prior in the town. I feel at the moment, each time I go out I’m trying to push myself to try something new. If nothing else, you kinda have to one when you are wandering around the same small towns. I guess it’s one of the benefits of sticking to the same areas, you have to keep working at it. Finding new things. Otherwise you’d get bored and give up. Sometimes it is hard. Sometimes it takes a lot of effort not to either sack it off or just do the same shots, but it can be rewarding when you don’t.

Anyway, you be the judge of whether it was worth the effort…

Night Street Photography: Capturing Margate & Whitstable

I’ve not been out in the evenings quite as much this winter as I have done in previous years. I think it’s that feeling of getting home and just wanting to crash at the end of the week. With all the pressures of work and the emotional baggage of home life, sometimes it feels like the only thing I have energy for is laying on the bed and doom-scrolling on social media. Every now and then, though, self-awareness descends and self-care is prescribed. And so, there have been times when I’ve dragged myself out, not really feeling it, but knowing that the getting out will help with the feeling it.

When it comes to my set-up, I have three prime lenses to accompany my XT-3: the XF33mmF1.4 R LM WR, the XF 18mm f/1.4 R LM WR and the XF 50mm f/2 R WR (this being a fairly recent addition to my kit). I decided early on when I picked up the XT-3 that I was going to stick to prime lenses on the streets. I felt a zoom lens would make me too lazy and, well, you also can’t beat a 1.4 lens. Far and away my favourite lens is the 33mm. Whether it be for night shoots or during the day, it just seems to be the perfect focal length for me. I’ve been using the 50mm quite a lot lately (I put that down to new toy syndrome), and I have enjoyed using it, but the 33 just has the edge (I’ll probably write more about the 50mm in a future blog).

The past weekend I spent a bit of time in Margate and Whistable shooting, looking for low light shots, experimenting with reflections, and looking for abstract shots. The condensation window is, of course, my favourite, but I’m increasingly trying to look for other types of shot. That said, variety isn’t easy in a small town, so I make do with whatever I can find. We can’t all shoot every day on the streets of London, so sometimes you have to settle for making the best of the local streets. Although people may argue the streets of Whitstable aren’t quite as exciting as the streets of Soho, it doesn’t mean there aren’t shots to be had. You can find interesting compositions in any town or city at night. Sure London is vast with every street seemingly presenting an opportunity, but a bit of patience and you can find at least one composition that hits.

Quite often I go out and end up with around 100-200 photos on my SD card, but once I dig into them, there will be less than 4/5 that I’m pleased with. Sometimes I come back with nothing, sometimes with some I’m really pleased with. This last weekend was certainly no different. That said, I did manage to bag one I was really happy with…a shot through a window in Margate, with two figures sitting opposite each other at a table.

I think what I like most about this are the poses of the two individuals. One presumably looking down at a menu, one seemingly deep in thought. It seems to me there is some kind of story here, a feeling in a moment. What is the figure on the right thinking? Has something been said beforehand? Is there some tension? Who knows. The lighting in the background also really helps I think. The blue and the red seem quite a striking combination in the background.

That was definitely my favourite of the shots taken in the evening over the weekend. There were a few others that were ok, but I think this is the strongest of them all. I’ll post the rest below (both Whitstable and Margate), let me know what you think.

dark and moody walks in margate

Back in the day, when I used to go out for a bit of landscape photography, I used to love a moody, overcast and wet day, particularly at the coast. Then my D7200 died after water got into the electronics (RIP my much missed old friend) and landscape photography became something I did rather than something I do. I went all in on street photography and started to look more for light and shadows, or evening abstracts. After a while, cloudy and wet days just required a bit more effort than they used to.

And yet, there’s something about a dark, overcast day at the coast that draws me in. I think it’s the combination of big open foreboding sky and tiny, insignificant figures on the beach. The scale, the darkness, all seem to come together to make something appealing to my eyes. I think I’m just drawn to the mood. To the reduction of people to minor characters in nature’s drama.

This time of year the overcast moody skies combine with biting cold conditions and make for some interesting scenes on the streets. It takes a lot of effort to pack your camera bag and head out when it feels marginally above zero and the rain is falling down, but you cannot beat the atmosphere (so long as there is no wind, I can’t stomach cold, wet and windy photo shoots…the wind just saps away all the energy I muster in leaving the house, so I tend to give those days a miss).

The thing I always try to remember, especially this time of year with the winter we’ve had, is that it’s no use waiting for “perfect” conditions. Make the most of the conditions that are present. Sure, sometimes it really is worth staying in bed (god knows we all deserve some rest in these times…). But sometimes you can look out the window, see the drizzle and the overcast sky and just think what’s the point. But those can be the best days. The days where you go out with low expectations and just one shot makes it all worthwhile. And yet, you can go out in the height of summer, blue skies, fantastic light, convinced you’ll get 100 bangers, only to come home with nothing. I guess the lesson is, don’t waste time waiting for the perfect, embrace imperfection. It’s a lesson I’m still trying to learn…

Copies of my Margate zine (UK only) are still available (none of the images below feature in the zine as I took them all on Sunday 9th February!).

pottering around Ramsgate in the sun...

Ramsgate is a place I seldom explore. I’m always drawn to Margate when I choose to go out with my camera…partly because I used to work there so at least know the town, partly because, well, it’s Margate and it has that whole Margate vibe thing going on.

I’ve been a couple of times in the past few years, but always on overcast days and never on a day where the light was the kind of light you hope for. On this occasion, however, the forecast was a crisp, cold day with blue skies and sunshine. For once, the forecast didn’t disappoint.

Ramsgate doesn’t quite have the artsy appeal of Margate, but it also doesn’t have the feeling of over-extended gentrification. There are signs here and there, of course, but it quite to the extent of other places alone the east Kent coast, and certainly doesn’t appear to be signs of the sheer excess and over-reach that other parts of East Kent aspire to (hello Folkestone). In fact, it more closely resembles the kind of east Kent coastal town that I knew all too well from my youth.

Anyway, this particular visit had exceptional light flooding the side streets, casting bold shadows and bringing interesting reflections. On exploring it did beg the question why I don’t visit more often. Like Deal there are plenty of streets that run perpendicular to the promenade, resulting in glorious golden light illuminating shop fronts and passers-by. I should really make more of this, especially this time of year when the golden hour coincides with people milling around the streets. Maybe I should explore it more, it certainly makes a change from the Margate>Deal>Folkestone options I normally choose when conditions look promising.

Anyway, I took a few shots during my trip. Could do with a few more sunny days given how dull this winter has been…